エレクトロニコス・ファンタスティコス！│ELECTRONICOS FANTASTICOS! in 2016-2019
ELECTRONICOS FANTASTICOS! is a project where retired consumer electronics are resuscitated as instruments, new ways to play music are invented, and all kinds of people are invited to be orchestrated with the artist and musician Ei Wada.
Once we dismantle old consumer electronics, we realize the condensed wisdom of pioneers and the interesting and mysterious scientific/physics phenomenon hidden inside these objects. By transferring these into electronic musical instruments, a sound like a groan of electronics begins to echo. Old consumer electronics come to life as yokai—supernatural creatures from Japanese folklore, sometimes they appear as spirits of abandoned tools.
Currently, we have 3 main bases of creation: Tokyo, Kyoto, and Hitachi. More than 70 members have joined the project from diverse fields such as engineers, designers, musicians, and management members. In November 2017, under the most symbolic old radio tower Tokyo Tower, we staged the Electro-Magnetic Bon-Dance. The original purpose of the Bon Dance is to mourn the dead; here we extended its concept for the memorial service of electronics that have played a major role in economic growth. Elderlies who donated electronics came to see the concert; children fell in love with instruments, engineers who work at electric appliance companies were thrilled to create instruments.
Everybody is enjoying the project and is very surprised how daily items have been fantastically transformed. We dream and search for the answer to our question, what is the new folklore music of urban cities? We want to realize a festival that strongly contrasts with the efficiency and rationality of the AI era, to breathe life into trash that holds memories of someone, and to produce new instruments through ideas, fantasies and technology with many people. As a next step we wish to develop a new relationship between objects and the human spirit. We believe that this project has the potential to establish a new culture after the fetish for capitalism.
Ars Electronica 2018 / STARTS PRIZE ‘18